Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
OK
Pataphysics: A Useless Guide y First printing Edition
The first complete account in English of the evolution of 'pataphysics from its French origins, with explications of key ideas and excerpts from primary sources, presented in reverse chronological order.
Of all the French cultural exports over the last 150 years or so, 'pataphysicsthe science of imaginary solutions and the laws governing exceptionshas proven to be one of the most durable. Originating in the wild imagination of French poet and playwright Alfred Jarry and his schoolmates, resisting clear definition, purposefully useless, and almost impossible to understand, 'pataphysics nevertheless lies around the roots of Absurdism, Dada, futurism, surrealism, situationism, and other key cultural developments of the twentieth century. In this account of the evolution and influence of 'pataphysics, Andrew Hugill offers an informed exposition of a rich and difficult territory, staying aloft on a tightrope stretched between the twin dangers of oversimplifying a serious subject and taking a joke too seriously.
Drawing on more than twenty-five years' research, Hugill maps the 'pataphysical presence (partly conscious and acknowledged but largely unconscious and unacknowledged) in literature, theater, music, the visual arts, and the culture at large, and even detects 'pataphysical influence in the social sciences and the sciences. He offers many substantial excerpts (in English translation) from primary sources, intercalated with a thorough explication of key themes and events of 'pataphysical history. In a Jarryesque touch, he provides these in reverse chronological order, beginning with a survey of 'pataphysics in the digital age and working backward to Jarry and beyond. He looks specifically at the work of Jean Baudrillard, Georges Perec, Italo Calvino, J. G. Ballard, Asger Jorn, Gilles Deleuze, Roger Shattuck, Jacques Prévert, Antonin Artaud, René Clair, the Marx Brothers, Joan Miró, Max Ernst, Marcel Duchamp, James Joyce, Flann O'Brien, Raymond Roussel, Jean-Pierre Brisset, and many others.
- ISBN-100262017792
- ISBN-13978-0262017794
- Editiony First printing
- PublisherMit Pr
- Publication dateJanuary 1, 2012
- LanguageEnglish
- Dimensions6.25 x 1 x 9.25 inches
- Print length275 pages
Books with Buzz
Discover the latest buzz-worthy books, from mysteries and romance to humor and nonfiction. Explore more
Customers who viewed this item also viewed
Editorial Reviews
About the Author
Andrew Hugill is a Professor at De Montfort University, England. He is also a Commandeur Requis of the Ordre de la Grande Guidouille in the Collège de 'Pataphysique.
Product details
- Publisher : Mit Pr; y First printing edition (January 1, 2012)
- Language : English
- Hardcover : 275 pages
- ISBN-10 : 0262017792
- ISBN-13 : 978-0262017794
- Item Weight : 1.2 pounds
- Dimensions : 6.25 x 1 x 9.25 inches
- Best Sellers Rank: #1,431,042 in Books (See Top 100 in Books)
- #345 in Conceptual Arts (Books)
- #2,873 in Pop Culture Art
- #56,022 in Unknown
- Customer Reviews:
About the author
Discover more of the author’s books, see similar authors, read author blogs and more
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Some readers, grammatically and punctuationally inclined, will be wondering about the apparently superfluous apostrophe which precedes the instances of the word pataphysics above. The correct spelling of the word coined by Albert Jarré in the 18th century includes the apostrophe, thus: 'pataphysics is the correct spelling of the science when used alone; when used to indicate a practitioner of the science, a pataphysician, or in a sentence, the apostrophe may be dropped, as is also the case for adjectives and other parts of speech, such as pataphysical, pataphysically, etc. Thus said, I have demonstrated a paradox: that even a useless guide can be useful at some level, a possibility which seems to me to be an example of an imaginary solution. I will hazard furthering the paradox by reviewing this useless guide and further mining its uselessness for possible usefulness.
"Surely you're joking" may come to mind along with its imaginary solution or response, "Don't call me Shirley." Okay, let's get serious: "Is 'pataphysics a joke?" Obviously not -- as Hugill points out in his Preamble, "Everybody knows that a joke explained is not a joke at all." So don't expect explanations or unambiguous definitions for a field which embraces diffuse explanations and is big on ambiguity. Besides, definitions are dead, abstract concepts (See here). If you want to understand what pataphysics is, this review won't be much help, but at least you will have acquired a first-experience of being confused on a subject that you may not have known existed before.
[page xv] How to write about something that exists mainly in the imagination, that constantly resists clear definition, is purposefully useless, and is regarded by many as a pseudophilosophy, a hoax, a joke, or a schoolboy prank? The enterprise is fraught with dangers. There is a risk of reduction: pataphysics is rich and complex, so anything that resembles a simplified "explanation" will fail to do it justice. Conversely, there is the problem of taking it all too seriously. Everybody knows that a joke explained is not a joke at all. Since pataphysics recognizes no distinction between humor and seriousness, there is always a possibility that any statement on the subject will end up pricking its own balloon. There is the ever-present danger of factual error in a history filled with myth-making, inconsistencies, deliberate hoaxes, and, sometimes, downright lying. Worst of all, there is fear of the disapproval of the worldwide community of pataphysicians, whose deep erudition and independence of mind make them supremely intolerant of any traducement of that which they hold so dear, even if it emanates from one of their own. In the face of these perils one may well wonder why this book exists at all.
Did you enjoy pranks when you were a schoolboy? Well, I did. Nothing which caused physical harm, but those pranks which caused a burst of surprise or sudden revelation upon my playmates. I always wanted to try the bucket of water on the top of a door, but if I did that at home, the result would have been too painful for me, so my range of schoolboy pranks was limited by my meager funds and my dad's razor strop. So it was my great delight to find that the name 'pataphysics was invented by schoolboys! French schoolboys!
[page xv] Of all the French cultural exports of the past 150 years or so, pataphysics has, perhaps surprisingly, turned out to be one of the most durable, and today is attracting ever-increasing attention. The word was invented by schoolboys in Rennes in the 1880s and is most strongly identified with one of their number: the poet and playwright Alfred Jarry (1873-1907). It is generally agreed that it lies around the roots of many of the key artistic and cultural developments of the twentieth century, including absurdism, Dada, futurism, surrealism, situationism, and others.
"I have never heard of 'pataphysics before!" you exclaim? Well, as the Author explains in his Preamble on page xvi, "The fact that relatively few people are aware of its existence is part of the secret of its success." After all, imagine flash mobs all over the major cities forming to create 'pataphysical happenings! What kind of world would we be living in? Hmmm, you know, on further consideration, perhaps that is already happening, those flash mobs, only due to the pataphysical need for sub rosa concealment, they do not advertise themselves as pataphysical flash mobs, but come up with ingenious cover stories for their existence.
Note that there are no pataphysicists only pataphysicians. Most "-ists" have an "ism" to which they belong: deists to deism, absolutists to absolutism, ascetics to asceticism, capitalists to capitalism, communists to communism, environmentalists to environmentalism, egoists to egoism, hedonist to hedonism, machinists to mechanisms, nihilists to nihilism, pessimists to pessimism, and optimists to optimism, just to name a few of the 234 ism compiled by The Phrontistery on-line.
[page xv] Unlike other, more familiar, "isms" that have been fully documented and historicized, pataphysics has managed to retain its vibrancy by perpetually eluding "ism" ism. It has never fully become either a "movement" or a "philosophy," even though at times it shares some characteristics with both of those. It has managed to permeate both culture and society, but in ways that are somewhat shadowy.
My career began as a physicist, evolved into a computer scientist, massage therapist, psychotherapist, philosopher, writer, photographer, cartoonist, poet, novelist, editor, and publisher and it continues to evolve(1). This points out that I have worked in many of the areas that pataphysics has had a "demonstrable impact on" listed below:
[page xvi] . . . theater, music, painting, sculpture . . . Its influence on politics, economics, philosophy, critical theory, and the wider social sciences is less clear, but can nevertheless be traced. Its presence in the sciences is still less obvious, and yet with a little digging it can be detected. Both scientists and pataphysicians have too much to lose to admit that there are many similarities and connections between them, but the subject does pop up in quantum physics, in computer science, or in scientific research in general.
From my reading of advances in quantum mechanic theory such as the Bell Theorem, the double slit experiment, etal, it has seemed to me at times that the theory itself was formed as a schoolboy prank by Heisenberg, Bohr, Boehm, Feynman and others. It would be laughable if it were not taken so seriously were it not so important to our modern technology and understanding of the world.
My pataphysical roots go way back to 1953, on the memorable day when a couple of thirteen-year-old pals of mine introduced me to the first issue of Mad -- a new Comics Book which had just appeared. I began reading it like a regular Batman or Superman comic book when suddenly I realized it was making fun of things that our parents took seriously! My pals and I all roared at each page. I discovered my love of satire on that very day, and I knew that my life would never be the same again, that no matter how serious things got, I could always find something humorous in them. Later in my twenties, I discovered Italo Calvino and struggled with his writings, too young for them, I expect because recently I read his "If on a winter's night a traveler . . ." and enjoyed it immensely, especially its pataphysical aspects of imaginary solutions, even though I had not consciously encountered the concepts and techniques of 'Pataphysics until I read this book a year or so later. Also recently I viewed the movie, "Idiocracy" and it blew me away with its imaginary (i.e. pataphysical) solutions to the problems of the world. It hinted at such solutions by simply depicting the ultimate end of the path that we are currently embarked upon where our world will be run by such idiots that an average person of today, projected a hundred years into future, would be deemed the smartest man in the world. People will be sprinkling Gator-Aid on plants ("What? Use water? That's for the toilet!") and the huge warehouse stores will get immense ("BBQ Sauce? Aisle G at Mile 17."), just to name a few quirks of the future path we're heading upon.
Before we step off onto one of M. C. Escher's pataphysical staircases and depart this review, may I remind you that there are no rules for 'Pataphysics, only exceptions; rightly understood, a "rule" is an exception to an exception. Those of you who take exception to anything the author or I have written in this review should follow that rule.
In closing, I hope by now you may have acquired a nascent sense of humor (or increased one already present) and that you will know how to respond if someone ever asks you, "How can you take pataphysics seriously?" The answer as proposed by the author is simple, elegant, and easy to remember, unless you inflexibly answer a question by asking a question. Do you? If you immediately responded to my "Do you?" by saying, "Well, do you?" then you will know to respond to the question, "How can you take pataphysics seriously?" with the question, "How can you not take pataphysics seriously?"
You read the entirety of my review in DIGESTWORLD ISSUE#136 by Bobby Matherne.
Covering the subject from a variety of angles, the author's love for all things 'pataphysical is obvious. He's clear that he's not claiming any sort of exclusive interpretational validity, but handles his discussion with the right balance of theory/explication and serious absurdity.
If not enlightened, you are guaranteed to be more 'pataphysical when you're done reading it.
Whether you want to be or not...
Reviewed in the United States on October 14, 2020