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The Norse Myths: A Guide to the Gods and Heroes (Myths, 3) Hardcover – February 14, 2017
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An exhilarating introduction to the vivid, violent, boisterous world of the Norse myths and their cultural legacy―from Tolkien to Game of Thrones
The Norse Myths presents the infamous Viking gods, from the mighty Asyr, led by Ó?inn, and the mysterious Vanir, to Thor and the mythological cosmos they inhabit. Passages translated from Old Norse bring this legendary world to life, from the myths of creation to ragnarök, the prophesied end of the world at the hands of Loki’s army of monsters and giants, and everything that comes in between: the long and problematic relationship between the gods and the giants, the (mis)adventures of human heroes and heroines, with their family feuds, revenges, marriages, and murders; and the interaction between the gods and mortals.
Photographs and drawings show a range of Norse sites, objects, and characters, from Viking ship burials to dragons on runestones. Dr. Carolyne Larrington describes the Norse myths’ origins in pre-Christian Scandinavia and Iceland, and their survival in archaeological artifacts and written sources, from Old Norse sagas and poems to the less-approving accounts of medieval Christian writers. She traces their influences into the work of Wagner, William Morris, and J. R. R. Tolkien, and even Game of Thrones in the resurrection of the Fimbulvetr, or “Mighty Winter."
100+ duotone illustrations- Print length208 pages
- LanguageEnglish
- PublisherThames & Hudson
- Publication dateFebruary 14, 2017
- Dimensions5.5 x 1 x 8.1 inches
- ISBN-100500251967
- ISBN-13978-0500251966
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Product details
- Publisher : Thames & Hudson; First Edition (February 14, 2017)
- Language : English
- Hardcover : 208 pages
- ISBN-10 : 0500251967
- ISBN-13 : 978-0500251966
- Item Weight : 2.31 pounds
- Dimensions : 5.5 x 1 x 8.1 inches
- Best Sellers Rank: #495,530 in Books (See Top 100 in Books)
- #245 in Scandinavian History
- #1,142 in German History (Books)
- #1,199 in Folklore & Mythology Studies
- Customer Reviews:
About the author
I am interested in medieval women, mythology, Arthurian literature, and, primarily, Old Norse-Icelandic literature. I teach most of these subjects at Oxford University. I write both academic books and trade books. The most recent academic book was a co-edited collection of essays on genre in Old Norse-Icelandic.
My latest trade book was ALL MEN MUST DIE: POWER AND PASSION IN GAME OF THRONES. Revisiting my fascination with the books and show that gave rise to the best-selling, much-translated WINTER IS COMING, this book analyses the TV show, now it's over. It tries to make sense of THAT ending, and unpacks themes, characterisations and the show's obsession with power, politics, family and feelings.
The follow-up to THE NORSE MYTHS, an authoritative and wide-ranging guide to the myths of ancient Scandinavia, is provisionally called TEN OLD NORSE MYTHS THAT SHAPE THE WAY WE THINK. It should be out from Thames and Hudson in 2023. It looks at the ways in which Norse myth is still vital and provocative today -- Odin, Thor, Loki, valkyries, Vinland, and ragnarök are all here.
My translation of the Poetic Edda from 2014 gives access to key sources of Old Norse myth. It's an accessible translation with useful note, I hope. You can follow me on Twitter @profcarolyne for more updates about my work.
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Unlike their Greek counterparts with whom most readers are far more familiar, the Norse gods impose little order upon the world. The best they seem able to do is withstand a greater chaos, for a time. Of course, they are rather chaotic themselves, as well as violent, willful, lusty, sometimes ridiculous and quite often treacherous. Only Odin seems to spend much time thinking about the future or the role of humans in this world, but that concern for humans is self-serving, as he seeks, favors, and betrays warriors in order to swell the ranks of his forces for the final battle at the world’s ending.
Now both Carolyne Larrington, the eminent and accomplished scholar of Old Norse, and Neil Gaiman, who surely needs no introduction, have published volumes on Norse Mythology within days of each other. It’s all so convenient the Norns might have had a hand in it. Each of these books is interesting and entertaining, but in quite different ways.
Gaiman, as one might expect, opts for a more dramatic treatment of his subject, retelling a selection of important myths at varying lengths, all building towards the climax of ragnarök. His tales are at times touching, at times quite funny. There’s a moment near the end, for example, where Kvasir, the wisest of the gods, guides Thor, not the wisest of the gods, to understanding the importance of a net Loki had created and destroyed, a moment which strongly reminds me of the scene in Monty Python and the Holy Grail in which Sir Bedivere explains to the peasants how one determines who is and who is not a witch. Yet the fine and frequent humor of Gaiman’s treatment obscured for me, as it also did in his earlier American Gods, the overwhelming sense of loss now and disaster to come that haunts the world of gods and men in Norse mythology. In the end it seems reduced to a joke and a game, as a dying Heimdall gleefully informs a dying Loki that the last laugh is on him. The book’s last words 'And the game begins anew' only reinforce this impression.
Larrington, like Kvasir with his recreation of Loki’s clever net, captures more of what she seeks. By not focusing narrowly on the drama of the tales she captures more of their tragedy, and suggests more of their meaning for Norse and more broadly for Teutonic culture in general, since these tales were told from Vinland to the Volga and across the centuries before and after the North became Christian. Her inclusion of the part humans play in Norse Mythology -- of Sigmund and Sigurd and all their bloody-minded, bloody-handed kin, more accursed than the House of Atreus, more trapped by the needs of the gods but without the least final justice, doomed in every sense – gives the world of gods and men a fuller, rounder shape. For the tales involve us. The twilight of the gods is also our own. By including humans, the unwilling and often unwitting players in the doom of the gods, Larrington allows us to understand better the world which told these tales, because through them, as Lewis put it in Surprised By Joy, ‘pure “Northernness” engulf[s us]: a vision of huge, clear spaces hanging above the Atlantic in the endless twilight of Northern summer, remoteness, severity….’
I did not laugh as often reading Larrington’s book as I did Gaiman's, but I nodded more and learned more. I would suggest, however, that they are most profitably enjoyed together.
I think the literalization of the Norse myths, and the perpetuation of popular stereotypes of the Norse deities, ultimately does this rich body of allegorical material a disservice. This is, as a reader of this review may already have sensed, a major pet peeve of mine. I wanted a scholar like Ms. Larrington to tell me something new about the myths, not just create another version of the same problematic and overly simplistic treatments they are usually given.
That said, Larrington's book could be a good starting point for those new to the subject as she presents a useful overview of background material and some historical context. But I don't recommend it for anyone looking for a more nuanced and atypical treatment.
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Thoroughly loved reading it. I learnt a lot from it and I was pleased to see how Carolyn also nodded to the various modern forms and features of norse myths in new fiction and tv series...
Highly recommend for anyone who wants to know more about the Norse gods and heroes and heroines and trolls and giants and dragons and cursed gold/weapons... there is so much to learn about than Marvel inaccurately portrays